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In addition to the many aesthetic considerations, there are technical skills to think about: Recording Setting up and dialing-in (tweaking) audio recording equipment for the purposes required, then actually capturing the material Recording ambient sounds in an open place requires different gear and different settings than when recording an actor in a sound booth or a band in a studio Mixing Combining sounds to create an integrated audio experience, and applying digital effects, such as echoes, to change the way the results are interpreted by the ear Editing Cutting and pasting sound effects, music, and dialog Editing dialog together out of individual words or phrases so that it sounds natural is particularly tricky It requires a close working relationship between the writer or designer, who creates the recording script, and the sound engineer, who cuts up and reassembles the sounds

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A.3.2

OPERATORS Many of the operators in C# are taken from C++ and have identical meanings. The following table summarizes the operators available as they relate to the built-in types. Most of these operators may be overridden for user-defined types. Keyword operators such as true, new, and is are not shown in this table. These are summarized in the table of keywords given in the next section.

Most of the software tools used to make 3D images and animations are surface modelers; the results may be anywhere from very sketchy to photorealistic quality, and can be very useful for communication See Fig 32 Models produced in this manner may be able to help in BIM; ie, it is possible to create a surface model of a HVAC ducting system and use it in a clash analysis in NavisWorks A surface model will not be usable, however, for the fabrication of ductwork; a solids modeling tool will generally be used for that purpose It may thus be more efficient to model the ducts with a tool that is designed to aid in the fabrication process in the first place This also encourages collaboration with the mechanical subcontractor, so that he or she can produce the fabrication model that can then be used for a coordination/clash analysis A word of caution about the timing of model production: A detailed production model can only be created once the necessary information for this level of detail is available Therefore a certain type of model may not be available until a specific stage of the project s development; ie, if a model is needed for clash detection between MEP and structural systems before the fabricators have produced the models, it will be necessary to perhaps have the designers produce the models Only

Composing and editing music is a distinct specialty of audio skill It used to be thought of as a purely artistic talent, but with modern synthesized music it involves considerable technical ability as well Obviously, as a composer you must understand music in all its aspects: how it creates rhythm and pace and sets an emotional tone, and how it works with what you see on the screen You must also be able to play an instrument, preferably the piano, since synthesizers are all keyboard-based

int num = -12; int age = days / 365; int onesPlace = number % 10; bool isTrue = ! false; int choices = gates & openSet; string hi = "Hello " + "World!"; index ++; long kilobyte = 1 << 10; bool isDigit = (x >= 0) && (x < 10); int byFives += 5;

Logical (boolean and bitwise) String concatenation Increment, decrement Shift Relational Assignment Member access

return myString.ToLower();

I believe that a natural musical ability is an absolute must for a game composer School can teach the important technical aspects of digital audio production and sound design, but nothing can replace the musical skill to make things sounds good! There is no substitute for a high level of natural-born musical ability Darryl Duncan, President and Chief Composer, GameBeat Studios

C# operators (continued) Category Indexing Cast Conditional Delegates Indirection and Address (in unsafe code only) Operators [] () : + - += -= * -> {} & Examples